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2025年第五届杭州纤维艺术三年展以“重构星空 / Re - Constellations”为主题，直面全球价值剧烈重构的时代语境。展览从人类对星空的古老凝视切入，挖掘不同文明将星空喻为纤维织物这一隐喻传统，揭示纺织技艺与宇宙认知“编织意义”的深层关联。
现代标准化星座划分背后的文化殖民，致使多元星空叙事被边缘化。如今，地缘政治与文化格局变革，“重构星空”旨在打破单一叙事霸权，让各文明的星空想象重获当代坐标。纤维艺术在多元思潮下，成为消解中心与边缘二元结构的文化载体。
本届展览参展艺术家以纤维为媒介，重新编织多元“星空叙事”，探索差异中共融的可能。展览以艺术之思回应全球化困境，呼唤多元共生，期望在差异中寻关联、于断裂处觅链接，让每种文化星光在纤维宇宙中交相辉映。
2025年杭州纤维艺术三年展组织架构 The Organizational Structure of the Hangzhou Triennial of Fiber Art in 2025
展览总监 Exhibition Director 应金飞 Jinfei Ying
艺术总监 Artistic Director 施慧 Hui Shi
策展人 Curators 姜俊、黄燕、阿萨杜尔·马克洛夫、许嘉 Jun Jiang, Yan Huang, Assadour Markarov, Jia Xu
指导 Official Director 中共浙江省委宣传部 Publicity Department of the CPC Zhejiang Provincial Committee
主办 Host 浙江省文化广电和旅游厅 Zhejiang Provincial Department of Culture Radio Television and Tourism 浙江省文学艺术界联合会 Zhejiang Provincial Federation of Literary and Art Circles 中国美术学院 China Academy of Art
承办 Organizer 浙江省美术家协会 Zhejiang Artists Association 浙江美术馆 Zhejiang Art Museum 中国美术学院当代纤维艺术研究所 Contemporary Fiber Art Institute of China Academy of Art 中国美术学院雕塑与公共艺术学院 School of Sculpture & Public Art, China Academy of Art
支持 Sponsor 浙江文化艺术发展基金 Zhejiang Provincial Arts Fund 中国美术学院教育基金会 China Academy of Art Education Foundation 德英基金会 De Ying Foundation
应金飞 Jinfei Ying
中国 China 展览总监 Exhibition Director
现任浙江美术馆馆长，二级教授，博导，浙江省宣传文化系统“五个一批”人才，省“万人计划”人文社科领军人才，享国务院政府特殊津贴专家。中国民主促进会中央委员，浙江省政协委员，浙江省文史研究馆馆员，浙江省人民代表大会常务委员会咨询专家。中国美术家协会理事，中国美术家协会水彩画艺术委员会副主任，中国博物馆协会美术馆专委理事，浙江版画院院长。
Mr. Ying Jinfei is currently the General Director of Zhejiang Art Museum. He is a second-tier professor and doctoral supervisor. He is recognized as "Talents in Five Fields" of Zhejiang Province’s promotion and cultural system (2017) and is a leading expert in humanities and social sciences of Zhejiang Province’s "Ten Thousand Talents Plan" (2018). He is also a recipient of the State Council’s special government allowance.
Mr. Ying Jinfei is a Central Committee member of the China Association for Promoting Democracy, a member of the Zhejiang Provincial Committee of the Chinese People’s Political Consultative Conference, a researcher at the Zhejiang Provincial Research Institute of Culture and History, and a consulting expert for the Standing Committee of the Zhejiang Provincial People’s Congress.
Additionally, Mr. Ying Jinfei serves as a council member of the China Artists Association, the Deputy Director of the Watercolor Art Committee of the China Artists Association, a Council Member of Art Museums of the Chinese Museums Association, President of Zhejiang Academy of Printmaking.
中国 China 艺术总监 Artistic Director
中国美术学院教授、博士生导师， 杭州纤维艺术三年展发起人。1986年开始从事当代艺术创作，作品以棉、麻、植物、宣纸、纸浆等纤维材料为特征，以现代艺术意义上的创作构架以及对材料运用的敏感和娴熟技能，使创作趋于纯化和成熟。她将传统意义上的编织拓展为一种视觉空间的建构，编织的过程被作为经验的流程，而成为一种“后现代的万物有灵论”的图像演绎，在当代艺术的层面上体现出东方精神的文化底蕴。
施慧曾参加的重要展览包括：第三届上海双年展（上海美术馆，2000）、“生活在此时——29位中国当代艺术家”展（德国柏林国家美术馆，2001）、首届广州三年展“重新解读：中国实验艺术十年”（广东美术馆，2002），“间——中国当代艺术展”（法国蓬皮杜艺术中心，2003）、“我们的未来：尤伦斯收藏中国当代艺术展”（北京尤伦斯当代艺术中心，2008）。并先后在德国汉堡HHLA展览中心（2006）、德国科布伦茨路德维希博物馆（2013）等艺术机构举办个人作品展。2007年获马爹利非凡艺术人物奖、2014年获AAC第八届艺术中国年度雕塑影响力大奖。出版有20多部个人作品集《素朴之诗》《施慧》等。
Professor and PhD supervisor of China Academy of Art, Founder of Hangzhou Triennial of Fiber Art. She has started contemporary artistic creation since 1986 and her works are featured by adoption of cotton, hemp, Xuan paper, pulp and other fiber materials. Due to the creative framework based on the sense of modern art and her sensitivity and skills on materials, her artistic creation has become more purified and mature. Among the patterns of Chinese contemporary art, Shi Hui's works display unique visual features. She extends the traditional weaving into a construction of visual space and changes the weaving process into an experience process, so that it becomes a kind of image interpretation on "postmodern animatism" to reflect the cultural heritage of the Eastern spirit on the level of contemporary art.
Some of her important exhibitions include: “The Third Shanghai Biennale” (Shanghai Art Museum, 2000), “Living in Time — 29 Chinese Contemporary Artists Exhibition” (National Gallery of Berlin, 2001), “The First Guangzhou Triennial "Reinterpretation: Ten Years of Chinese Experimental Art" (Guangdong Art Museum, 2002), “Alors, la Chine? - Chinese Contemporary Art Exhibition” (Centre Pompidou, Paris, 2003) and “Our Future: Guy & Myriam Ullens Collection” (Beijing Ullens Center for Contemporary Art, 2008). She has also held her individual exhibitions at the HHLA Exhibition Center in Hamburg (2006), Germany and the Ludwig Museum in Koblenz, Germany (2013). She won the Martell Award for Extraordinary Artist in 2007 and the award of AAC the 8th Award of Art China for Sculpture Influence in 2014. She has published 20 collections of works, such as the Poetic Simplicity: Shi Hui’ s Work and Shi Hui.
2025年杭州纤维艺术三年展策展团队简介 Members of the Curatorial Team of the Hangzhou Triennial of Fiber Art in 2025
中国 China 策展人 Curator
姜俊，独立策展人，艺术批评家，深圳市当代艺术与城市规划馆特约策展人，浙江省创意设计协会艺术经济专业委员会理事长。他曾毕业于德国明斯特艺术学院，后来获得中国美术学院艺术学博士学位，2021-2024在上海同济大学做建筑学博士后研究。姜俊是第六十届 “威尼斯国际艺术双年展” 中国国家馆“美美与共：集”联合策展人（2024）、共同策划了“化作通变：第七届广州三年展”（2022-2023）、“时间引力— 2023成都双年展”。
Jiang Jun is an independent curator and art critic, a guest curator at the Shenzhen Museum of Contemporary Art & Urban Planning, and the chairman of the Art and Economy Professional Committee of the Zhejiang Creative Design Association. He graduated from the Kunstakademie Münster, Germany, and later obtained a doctorate in Art Studies from the China Academy of Art. From 2021 to 2024, he served as a postdoctoral researcher in architecture at Tongji University in Shanghai. Jiang Jun co-curated the Chinese National Pavilion at the 60th Venice International Art Biennale (2024), and has also co-curated the 7th Guangzhou Triennial (2022–2023) and the 2023 Chengdu Biennial.
中国 China 策展人 Curator
中国美术学院教授、博士生导师，纤维艺术系主任。
2017年获博士学位，受Josef & Anni Alberts 基金会邀请做驻地研究，访学美国。著有专著《织物的嬗变》《数码编织艺术语言》。2013年加入杭州国际纤维艺术三年展项目组，曾担任第三届项目联合策展人，第四届项目负责人，现任2025年第五届项目负责人和策展人。2004年开始从事当代纤维艺术创作和理论研究，师从施慧。至今已承担/主持系列国家级、省级课题，发表多篇核心期刊论文，同步策划并推进“中国当代纤维艺术教学研讨会”“纤维艺术新锐展”“纤维艺术国际讲堂（IPFA）”等项目。
个人创作强调对纤维与视觉空间、视觉符号的探讨，善于以富含逻辑思维的图式语言构建包含视角维度、时空认知和逻辑概念的抽象艺术语境。以架上装置和空间装置为主要面貌，包含影像、灯光等媒介的涉入。近期主要关注数码编织技术和数字纤维领域的视觉成像研究。
Professor and Doctoral Supervisor at the China Academy of Art, Head of the Department of Fiber Art.
Received a doctoral degree in 2017, invited by the Josef & Anni Alberts Foundation for a residency research and conducted academic visits in the United States. Authored monographs such as "The Evolution of Fabrics" and "The Artistic Language of Digital Weaving". In 2013, joined the project team of the Hangzhou Triennial of Fiber Art. Served as the co-curator of the third project, the project leader of the fourth project, and currently serves as the project leader and curator of the fifth project in 2025.
Started engaging in the creation and theoretical research of contemporary fiber art in 2004, studying under Shi Hui. Since then, has undertaken/led a series of national and provincial research projects, published multiple papers in core journals, and simultaneously planned and promoted projects such as the "Seminar on Chinese Contemporary Fiber Art Teaching", "Emerging Fiber Art Exhibition", and "International Lecture Series of Fiber Art (IPFA)".
In personal creation, emphasizes the exploration of fibers, visual space, and visual symbols, and is proficient in constructing an abstract art context that includes perspective dimensions, spatiotemporal cognition, and logical concepts through schematic language rich in logical thinking. Mainly in the forms of easel installations and spatial installations, involving media such as images and lighting. Recently, has focused on the research of visual imaging in the fields of digital weaving technology and digital fiber.
保加利亚 Bulgaria 策展人 Curator
阿萨杜尔·马克洛夫（Assadour Markarov）博士，是艺术家、教育家及策展人，曾在日本、英国、爱尔兰、芬兰等国讲学，现任中国美术学院纤维艺术系教授。马克洛夫早年在中国接受艺术训练，获得中国书法专业学位，随后转向当代纤维艺术领域，并在英国与日本持续开展研究。其艺术创作涵盖绘画、版画、纸艺、书法、雕塑及空间装置等多个视觉媒介。其作品曾展出于第十五届瑞士洛桑当代纺织艺术双年展、第七届开罗当代艺术国际双年展、第十届波兰洛兹国际壁挂三年展、荷兰文洛邦默尔-凡-丹博物馆“迷人的纺织2”、第二届北京国际艺术双年展，以及保加利亚国内和国际诸多重要群展。
作为策展人，马克洛夫曾策划保加利亚艺术家参加2000年与2001年西班牙马德里“ESTAMPA”版画博览会，联合策划2013与2016年第一、两届杭州纤维艺术三年展，2017年在中国丝绸博物馆策划“丝绸与传统”项目，以及在中国美术学院美术馆发起并策划“万曼的耕耘“展览与“万曼与纤维艺术教育”研讨会。近年来，他策划了“从东到东——当代版画交流展”（2021）及“泥火嬗变——中保陶瓷当代艺术交流展”（2024）等中保之间的重要艺术项目。
Assadour Markarov, PhD is an artist, educator and curator, has been lecturing around the world, in Japan, UK, Ireland, Finland, and currently is a professor at China Academy of Art, Fiber Art Department.
Markarov was trained as an artist in China, make his degree in traditional Chinese calligraphy and later in the field of contemporary textiles, researching in UK and Japan. As an artist, he works in different fields of visual art as painting, printmaking, and works with hand made paper, calligraphy, sculptures and installations in space. His works have been exhibited in 15th Lausanne Biennial for contemporary textile art in Switzerland, 7th International Cairo Biennial of Contemporary Art, 10th International Lodz Triennial of Tapestry in Poland, "Fascinatie Texstyle 2" in the Museum Van Bommel-van Dam, Venlo in Holland, 2nd Beijing Biennial for Contemporary Art, and other major group exhibitions in Bulgaria.
His major curatorial projects include Bulgarian artists’ participation on Estampa 2000 and 2001 in Spain, co-curator of the 1st and 2nd edition of Hangzhou Triennial of Fiber Art in 2013 and 2016, China. A chief curator of the “Silk and tradition”, project in China National Silk Museum, and China Academy of Art an exhibition and symposium titled “Unrealized projects of Maryn Varbanov” related on the education of fiber art (2017). From East to East · Contemporary Printmaking Art Exchange Exhibition (2021), and Ceramic Transitions · China – Bulgaria contemporary ceramic art exhibition (2024).
中国 China 策展人 Curator
许嘉，艺术学理论博士，中国美术学院雕塑与公共艺术学院副教授，国际期刊《TEXTILE: CLOTH AND CULTURE》（A&HCI收录）副编辑及中国地区责任编辑。?期以来一直从事纤维艺术的理论与实践研究，身为近年来颇受瞩目的优秀?年艺术家，她以扎实的理论功底、创作实践能力和原创性艺术作品颇受学界赞誉，具有独特而广阔的学术发展潜力。
主持国家社科基金艺术学项目1 项，参与多项国家课题，主讲课程入选浙江省一流本科课程，多?课程入选“学堂在线”、“智慧树”MOOC课程与智慧课程。先后在国际A&HCI 期刊、中文核心期刊发表论文 20 余篇，其中一级核心期刊 12 篇，出版专著《绣画——中国江南传统刺绣研究》，绘著《葵花宝点》，主编多部中英文论文集。
策划杭州纤维艺术三年展、“纤维密码”国际艺术设计展、“颠覆之线——第五届纤维艺术新锐展”等国际展览。作品《阅读城市系列四》获得浙江省第十四届美术作品展览铜奖，作品《一家子》入选浙江省第十五届美术作品展览，作品《女孩·男孩》入选第十四届全国美术作品展览进京作品展。作品《外婆家的记忆》被香港M+博物馆收藏。
Xu Jia is an artist, curator and writer. She received a B Arch Degree from Tongji University in 2008, Master’s Degree in Art History from China Academy of Art in 2013, and PhD in Art Theory from CAA in 2016. She is now an associate professor in Fiber Art Department of CAA. She is the curator of “The Subversive Threads：5th Frontier Fiber Art Exhibition” in 2023 and co-curator of Fiber Code exhibition in China International Design Museum in 2021, the curator of Hangzhou Triennial of Fiber Art in 2016. She is now working as co-curator of 5th Hangzhou Triennial of Fiber Art in 2025. She is now Vice-Editor and China-Regional Editor of TEXTILE: CLOTH AND CULTUREjournal.
She is also the editor-in-chief of The Fiber Reader 2 (Proceedings of the Symposium of the 3rd Hangzhou Triennial of Fiber Art 2019), Fiber Thinking (Proceedings of the Symposium of the 4th Hangzhou Triennial of Fiber Art 2022), Maryn Varbanov’s Departure(2022), and Subversive Threads(The catalogue of 5th Frontier Fiber Art Exhibition)(2023).
杭州纤维艺术三年展 Hangzhou Triennial of Fiber Art
杭州纤维艺术三年展（Hangzhou Triennial of Fiber Art）创立于2013年，是一个致力于当代纤维艺术研究、创作与展示的国际展览平台。由中国美术学院当代纤维艺术研究所（原万曼壁挂研究室）发起，中国美术学院和浙江美术馆共同创建、联合主办，各届分别以“纤维，作为一种眼光/Fiber Visions” （2013）、“我织我在/Weaving & We" （2016）、”无界之归/Boundless Encounters” （2019）、“缓存在/BeingTheoria" （2022）、“重构星空/Re-Constellations” （2025）为主题。
第五届杭州纤维艺术三年展，拟定于2025年9月23日在浙江美术馆开幕。展览将使用浙江美术馆1-2层的1、2、3、4、5、6展厅，及部分公共与户外区域。
杭州纤维艺术三年展官方网站：https://fiberarthangzhou.caa.edu.cn
Founded in 2013, The Hangzhou Triennial of Fiber Art is an international exhibition platform dedicated to the research, creation and presentation of contemporary fiber art. Initiated by the Contemporary Fiber Art Research Institute (formerly Maryn Varbanov Tapestry Research Centre), China Academy of Art, the Triennial is co-organized by the China Academy of Art and the Zhejiang Art Museum. The themes of the Triennials are "Fiber Visions" (2013), "Weaving & We" (2016), "Boundless Encounters" (2019), "Being Theoria" (2022), and "Re-Constellations" (2025).
The opening of the 5th Hangzhou Triennial of Fiber Art is scheduled on September 23, 2025 at Zhejiang Art Museum. The artworks will be presented in the six exhibition halls on the 1st and 2nd floors, as well as outdoor and public areas of the museum.
The Hangzhou Triennial of Fiber Art website: https://fiberarthangzhou.caa.edu.cn
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